Modernist still life with fruits ( original artist's title : Christmas fruit)  was executed in 1940s  by very good listed British female painter Margaret Thomas (1916 – 2016). This work was exhibited by famous Leicester Galleries in London in April 1949.

The artist is remembered in particular for her still lifes and her flower paintings which received considerable acclaim, and are in numerous UK public collections.

Literature: on-line Wikipedia in English.

Inscription: signed with monogram lower left; on the back of the stretcher - exhibition labels of Leicester Gallerie, London, one of them - label of personally exhibition of works by Margaret Thomas, dated April 1949.

Technique: oil on canvas. Original period frame.

Measurements: unframed w 12 1/4" x h 10 1/4” (31 x 26 cm); framed  19 1/4" x 17" (49 x 43 cm).

Condition: painting is in good condition.

It is probably in the still life with flowers, an inexhaustible subject for her that Margaret Thomas is best known....she sometimes finds unexpected beauty at the point when most people would consign the flowers to the dustbin; a faded or drooping plant can have its own sad charm. She is able to paint, with apparently casual directness, pictures that are strongly and visually designed, partly because she is lucky enough to have been trained at a time before art schools gave up drawing. Thomas was born in London, England on September 26, 1916. When she was 12 years old she was introduced to Ethel Walker, and other women artists, by her governness. Thomas would later exhibit pieces in the same shows as Walker. In 1934 Thomas began her studies at Sidcup School of Art. She continued, having won a scholarship, at the Slade School of Fine Art in London. For her final year, she studied at the Royal Academy Schools under Thomas Monnington[5] and Ernest Jackson.  Her works were being noticed as early as 1938: commenting on an exhibition of The Women Artists, The Observer noted that "most of the outstanding pieces are contributed by the non-members such as ... 'Flu' by Margaret Thomas ..."

During World War II the Royal Academy Schools closed and Thomas moved to the Wiltshire countryside. She was inspired by nature, "I frequently return to the motif of a dying flower; I draw endless inspiration from these spiky, spectral and sculptural presences. When picked, flowers must be left alone to fulfill their destinations, to orientate to the light, to sort out their relative strengths, to stabilize and mature. They cannot be arranged. All this I seek to show in my paintings."

After the war Thomas built up a career with portrait commissions and solo exhibitions. Her first painting to be exhibited at the Royal Academy Summer Exhibition was Still Life of Norfolk Ham in 1943. She went on to exhibit at the Royal Academy for another 46 consecutive years. In 1947 she was elected a member of the Royal Society of British Artists, R.B.A. Her first solo exhibition was at the Leicester Galleries, London in 1949. Her work was "in a manner all of her own," exploring "the tonal subtleties of oil paint in various ways" and she arranged 'her flowers and still-life with unerring good taste.'  In 1950 she was elected a member of the New English Art Club and in 1951 became a Fellow of the Royal Society of Arts. At an exhibition of sixteen painters at the R.B.A. Galleries in 1956 she was noted to have the most interesting pictures and that her larger pictures showed a 'remarkably subtle exact sense of tone and color.'

Thomas showed in countless group exhibitions including: the New English Art Club; Royal Society of British Artists; Royal West of England Academy; Royal Scottish Academy; Women's International Art Club; Scottish Society of Women Artists; and, Aldeburgh 100. Thomas was a stalwart of the Women's International Art Club.

Thomas worked in London for many years and also maintained a second studio in Edinburgh from 1956. In 1984 she moved to a converted watermill in Ellingham, near Bungay in Suffolk.  She died just before her 100th birthday on March 27, 2016. 

Awards
1971: De Lazlo Medal, Royal Society of British Artists
1981: Hunting Group Award, Oil Painting of the Year for The Rembrandt Drawing[17]
1996: De Lazlo Medal, Royal Society of British Artists

Collections
Her works are included in many UK public and private collections.